Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Beach, David W.: The Origins of Harmonic Analysis. JMTheory 18/2 (Autumn 1974), 274-306 | |
| 2. | Beach, David W.; Thym, Jurgen: The True Principles for the Practice of Harmony by Johann Philip Kirnberger. JMTheory 23/2 (Autumn 1979), 163-226 | |
| 3. | Beach, David W.: The submediant as third divider: Its representation at different structural levels. (1997), 309-335 | |
| 4. | Beach, David W.: Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. EastmanStudM 33 (2005), xiii, 92p | |
| 5. | Beach, David W.: Analyzing Bach and how Bach actually wrote. JSchenkerStud 3 (2008), 211-221 | |
| 6. | Beach, David W.: Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. MTheorySpec 30/1 (Spring 2008), 1-34 | |
| 7. | Beach, David W.; Goldenberg, Yosef (eds.): Bach to Brahms: Essays on musical design and structure. EastmanStudM 122 (2015), 326p | |
| 8. | Beach, David W.; Mak, Su-yin (eds.): Explorations in Schenkerian analysis. EastmanStudM 136 (2016), xii, 359p | |